Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 7:

This print is now chiefly of interest because the plate was adorned with a tiny etching by Hogarth, in which appear the figures of the British Lion and Britannia, both with pipes in their mouths, Britannia being seated on a cask of tobacco.

Hogarth was fond of introducing the pipe into his plates. In the tail-piece to his works, which he prepared a few months before his death, and which he called The Bathos, or Manner of Sinking in Sublime Paintings, the end of everything is represented. Time himself, supported against a broken column, is expiring, his scythe falling from his grasp and a long clay pipe breaking in two as it falls from his lips. This was issued in 1764—Hogarth's last published work. In the plate which shows the execution of Thomas Idle, in the "Industry and Idleness" series, Hogarth depicts the little hangman smoking a short pipe as he sits on the top of the gallows, waiting for his victim. The familiar plate of A Modern Midnight Conversation shows a parson in surplice and wig smoking like a furnace while he ladles punch from a bowl—probably meant for a portrait of the notorious Orator Henley. Most of the other guests are also shown smoking long clay pipes.

Read More

The Social History of Smoking

George Latimer Apperson

Chapter 2:

Tobacco engages
Both sexes, all ages,
The poor as well as the wealthy;
From the court to the cottage,
From childhood to dotage,
Both those that are sick and the healthy.

This chapter and the next deal with the history of smoking during the first fifty years after its introduction as a social habit—roughly to 1630.

The use of tobacco spread with extraordinary rapidity among all classes of society. During the latter part of Queen Elizabeth's reign and through the early decades of the seventeenth century tobacco-pipes were in full blast. Tobacco was triumphant.

Read More